260 hysterical
opinions

Tuesday, 3rd December 2002, 4:21pm
An opinion by: Nette
 Rhoda Scott and friends

Rhoda Scott and friends by Rhoda Scott

Hunting around for female jazz instrumentalists, I came across a few albums by Rhoda Scott in the local cd shop. Granted, I am in Quebec so finding French products is easier than in other parts of the country - Rhoda Scott lives in France and most of her recordings are put out by French labels. She's a jazz organ player with a lengthy discography which you can browse on her website - an excellent resource that provides, among other things, maps to her gigs.

Rhoda Scott is American and grew up playing organ in New York, and combines her original compositions with jazz tunes, classical music themes and Gospel and Negro Spirituals. On this compilation, selected and sequenced by Rhoda herself (*role model) she plays jazz standards like Satin Doll, and originals like Bitter Street, Toe Jam and Blues at the Bilboquet.

This recording includes a very cheery version of On Green Dolphin Street - very unlike the film, in which Lana Turner crawls along a desolate beach in rags as the loud theme swells melodramatically behind her, but then again On Green Dolphin Street has become part of a swinging jazz repertoire. More fitting to Lana Turner's distress is the mysterious, avant-garde intro to Ebb Tide, an intro that had me rushing to the sound system in amazement - a Hammond organ CAN sound like crashing waves.

Jazz organ is like listening to someone playing three instruments at once, no bass player needed, very full, often baroque, and very prone to swinging hard. Its not the most common instrument in jazz and so her contribution is unique as well as impressive. *the recording reviewed here is a cassette that isn't easily available online, although you might want to try visiting her website and asking there. But this link will get you to some of her other recordings.




Readers have left 1 comments

i am doing a drugs trial and some of the fellow volunteers are jazz musicians. Eager to enhance my jazz skills, i  went around borrowing jazz music. No one thought i would be interested in Rhonda Scott until i accidentally stumbled acreoo it. Honestly, and this is the truth, i wept. I now cant remember all the names of all her pieces, but man i wept. I had heard the hammond in gospel, but this, this just takes the mickey. If anyone wants to know what the blues really sound from a differenr perspective, tell them listen to Rhonda Scott so we can all weep. My name is Risen Mutsahuni and i would like to link up with Rhonda's fans maybe there is more i aint heard. My email is Riskid2000@yahoo.co.uk
risen mutsahuni on Sunday, 19th October 2003, 1:13pm

Leave a comment

name
email (if you want to be notified)
   <-- Please retype the word you see here:
Notify me when someone replies to this post?

Email/print/translate this article!

print this opinion

Recent opinions in jazzgrrls  

Recent opinions by Nette

* The Jazz Grrls Listening Guide by From the Jazz Grrls Email List
Amulet by Sainkho Namtchylak
As We Are Now by Renee Rosnes
at the Montreal Jazz Festival by Sherry Maricle and Diva
Bebop for Babies by Jeannette Lambert Quartet
20/20 Vision: My Weekend at WARC by Agatha Schwager and Jeannette Lambert
Swimming Pool by François Ozon
Possession by Neil Labute
L'Auberge Espagnole by Cedric Klapisch
Talk to Her by Pedro Almodovar